About

Sam Braysher is an east London-based jazz saxophonist who has won plaudits for his warm, delicate sound, his deep knowledge of the standard repertoire, and his thoughtful improvisational concept. When leading his own bands he takes a particular interest in interpreting lesser-played items from the American Songbook and jazz canon. His two albums as a bandleader to date – both of which feature renowned international collaborators – have been met with glowing reviews from critics around the world: Golden Earrings (Fresh Sound New Talent, 2017) – a duo recording with the New York pianist Michael Kanan – and Dance Little Lady, Dance Little Man (UNIT Records, 2021), with Jorge Rossy (Brad Mehldau Trio, Lee Konitz, Carla Bley, Joshua Redman) and Tom Farmer (EMPIRICAL, Ivo Neame, Joe Stilgoe, Anoushka Shankar).

Sam Braysher's new project explores the work of Kurt Weill, a fascinating composer who lies at the intersection of European classical music, jazz, opera and American musical theatre. Although best known for songs such as "Mack The Knife" and "September Song", Braysher looks at some of Weill's lesser known pieces, with characteristically thoughtful and varied arrangements, from the swirling harmonies of his Weimar-era early work with Bertolt Brecht, to his more jazz-adjacent American period.